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Amy Sherald artist in Thom Browne & Our BBS 2020 Collection
Amy Sherald artist in Thom Browne & Our BBS 2020 Collection

There’s a striking visual and conceptual dialogue happening between the image created by artist Amy Sherald and our BBS designs—and it goes far deeper than surface aesthetics. At a glance, the most immediate similarity is the graphic language: bold black-and-white contrasts, punctuated with deliberate hits of red. In the Met Gala look, the red headpiece and accessories act as a focal point against the structured monochrome dress. In our designs, that same visual strategy appears—the red hat, the red waist detail, the red skirt panel that is actually a version of our logo—all used not just as color, but as emphasis, guiding the eye and anchoring the composition. It’s a painter’s instinct applied to fashion.

Beyond color, there’s a shared commitment to translating illustration into wearable form. The Met Gala look directly mirrors the artist’s painting—polka dots, clean lines, and stylized minimalism moving from canvas to garment. Our work does something equally powerful: we took an expressive, stylized image of Josephine Baker and our logo and embed them into clothing, allowing the wearer to literally embody the art. In both cases, the clothing isn’t inspired by art—it is the art, recontextualized.

There’s also a clear connection in composition and storytelling. The painting beside the Met Gala look features a poised figure mid-action, and the garment echoes that narrative through structure and styling. ( Sherald is also known for her famous portrait of former First Lady Michelle Obama.) Similarly, our pieces feature Josephine Baker and images that feel alive—emotive, iconic, almost cinematic. When placed on garments, those visuals turn the body into a moving frame, continuing the story beyond a static image.

Another parallel is the use of contrast between structure and softness. The Gala look pairs a clean, tailored silhouette with playful polka dots and sculptural accessories. Our designs mirror that tension: structured elements like corsetry, fitted tops, or clean lines that are layered with flowing panels, lace, or graphic prints. That balance keeps both the art and the fashion dynamic.

What’s especially compelling is the timeline. The Gala look is celebrated as a high-fashion moment where art and fashion intersect—but our pieces, created in 2020, were already operating in that same space. BBS was already exploring the idea that garments can function as canvases, that illustration can move, and that identity can be worn as art.

In that sense, the similarity isn’t just visual—it’s philosophical.

Both works assert the same truth:fashion becomes most powerful when it carries the intention, composition, and storytelling of fine art.







 
 
 

Shawn Hart, Howard University Alumna Exhibits Josephine Baker–Inspired Works at Children’s National Hospital

As a proud Howard University alumnus and Washington, DC artist, I am honored to be part of the exhibition Past, Present, and Tomorrow: Our Expressions of Harmony and Celebration, currently on view at Children’s National Hospital in Washington, DC through May 1, 2026. This special exhibition brings together artists whose work celebrates cultural history, artistic expression, and creative vision in a space dedicated to healing and hope.

I am excited to present four original works inspired by the life, legacy, and artistic influence of Josephine Baker—an international icon, performer, and pioneer whose story continues to inspire generations. These works reflect my journey as both a fashion illustrator and graphic designer, while honoring themes of history, empowerment, and artistic evolution.

Josephine Stylin' in Sarlat: Fashion Illustration Inspired by 1920s Poster Art

My first work, Josephine Stylin' in Sarlat, reflects my passion for fashion illustration and vintage poster design. This piece draws inspiration from the bold visual style of 1920s poster artist Paul Colin, whose work helped define the era of Art Deco performance and fashion. Through stylized composition and expressive movement, I reimagine Josephine Baker as both a fashion icon and cultural symbol.

This work connects the past to the present by honoring the golden age of fashion illustration while reintroducing its elegance to contemporary audiences.


Fly Jo: Celebrating Josephine Baker’s Courage and Aviation Legacy

My second work, Fly Jo, was inspired by Josephine Baker’s groundbreaking achievements as one of the first African American women to pilot an airplane. At a time when many African Americans were denied basic access to aviation, her accomplishments represented courage, freedom, and progress.

I often incorporate historic photographic references in my work to create a sense of authenticity and connection to the past. In this piece, I included imagery inspired by Josephine Baker’s castle, symbolizing both her personal success and the heights she achieved despite adversity.

This artwork celebrates empowerment, determination, and breaking barriers—values that remain deeply relevant today.


Flamingo Jo: Reimagining Josephine Baker Through Color and Playfulness

Flamingo Jo represents a playful reinterpretation of Josephine Baker’s stage persona. Known for her iconic costumes featuring feathers and dramatic fashion, I transformed her figure into elegant flamingos, symbolizing grace, beauty, and performance.

This piece was also created with young viewers in mind, recognizing that the exhibition takes place within Children’s National Hospital. The vibrant colors and imaginative forms invite children and families to connect with the artwork in a joyful and accessible way.

This work bridges historical tribute with contemporary creativity, making Josephine Baker’s legacy approachable for a new generation.


Jazz Jo: Graphic Design, Jazz Culture, and the Future of My Artistic Direction

My final work, Jazz Jo, represents the future direction of my work and reflects my identity as a graphic designer. Using a monochromatic color scheme, abstract shapes, and bold composition, I captured the energy and rhythm of a jazz nightclub scene.

This piece moves beyond literal representation and explores visual storytelling through abstraction, contrast, and form. Jazz, like visual art, is built on harmony, improvisation, and emotional expression—making it the perfect symbol for artistic evolution.

This work represents where my creative journey is headed, combining fine art, graphic design, and cultural storytelling.

Howard University Artist Honoring Legacy, Culture, and Creative Expression

Participating in Past, Present, and Tomorrow: Our Expressions of Harmony and Celebration is especially meaningful to me as a Howard University graduate and Washington, DC artist. Howard University has long been a center of artistic excellence and cultural leadership, and it continues to inspire my work today.

This exhibition reflects the power of art to connect the past, present, and future—honoring cultural icons like Josephine Baker while exploring new creative directions.

Visit the Exhibition at Children’s National Hospital in

Washington, DC

I invite you to experience this exhibition in person at Children’s National Hospital in Washington, DC. The show will be on view through May 1, 2026.

It is my hope that these works will inspire viewers of all ages and demonstrate how art can celebrate history, encourage imagination, and create harmony within our communities.

Location: Children’s National Hospital, Washington, DCExhibition Title: Past, Present, and Tomorrow: Our Expressions of Harmony and CelebrationOn View Through: May 1, 2026.

 
 
 

Art is often described as a personal journey, and each exhibition tells a story of an artist's evolution. This year, I am thrilled to share that my artwork is currently displayed in two galleries on the East Coast – one in Washington, D.C., and the other in New Jersey. This opportunity not only allows me to connect with a broader audience but also presents a unique chance to reflect on my artistic journey and the themes that resonate within my work.



The Gallery in Washington, D.C. - Arena Stage


I am excited to be a part of a group exhibition at the historic Arena Stage! This is the first ever curated art show to be held in this space. The show, titled "'The Evidence of Things Now Seen" features artworks by Black Artists of DC ( BADC) and Tres Raices. As a member of BADC I am delighted to show my work along with these talented and experienced artists!


My work "Aircrafts, Castles, Cars and Couture" embraces theme of the show which celebrates James Baldwin who "celebrated the beauty and richness of Black life. As an artist-observer, he named truths actively ignored. The artists explore themes such as belonging. equality, legacy, liberation, love, and joy, pushing boundaries and envisioning a world that affords respect for all.


My work


Both Josephine Baker and James Baldwin left the United States for France, where they found greater personal and artistic freedom.  “Aircrafts, Castles, Cars and Couture” was inspired by a trip to France where I photographed  the  castle which was Baker’s home.  Josephine learned to drive a car and to fly a plane at a time when many  people of color could not even travel in one. My illustration of  Baker is positioned to depict  her as a chic woman of style who has arrived.  James Baldwin also lived in the South of France.  His fashion style was about presence and dignity in a world that tried to deny it to a Black man.  Paris gave both Baker and Baldwin the space to perform, write  and be  unapologetically themselves.


This show will be on view until June 27, 2025. Artist talk on June 11th 6:30-7:30

Arena Stage 1101 Sixth Street SW Washington, DC


The Gallery in New Jersey


In contrast, my exhibition in New Jersey is a show comprised of artists from many different areas. The show is titled "Another Slice of Sweet Potato Pie" at the Atrium Gallery, in Morristown, New Jersey.


My work


I'm thrilled to share that my piece "Diva of Dance" has been selected for exhibition! This vibrant, colorful work on canvas is one of my most iconic interpretations to date. Inspired by Josephine Baker’s legendary banana skirt, the rendering adds a layer of elegance that reclaims and redefines the image—highlighting Baker’s triumph over the often savage stereotypes she transcended.


I’d love for you to join me at the public opening reception on Thursday, June 19, 2025, from 6:30 to 9:30 p.m. Come celebrate art, history, and bold expression!

Aircrafts, Castles, Cars & Couture
Aircrafts, Castles, Cars & Couture

Diva of DaAnce
Diva of DaAnce

Conclusion


In conclusion, exhibiting my artwork in two galleries—one in Washington, D.C., and the other in New Jersey—has been an enlightening experience that reinforces the multifaceted nature of art. Each location offers its unique voice, enriching my narrative as an artist and enhancing my connection with the audience.















In the end, it’s the interaction and dialogue sparked by art that truly elevates the experience of being an artist. Here’s to more exhibitions, more connections, and an ever-expanding exploration of what it means to create.

 
 
 
        Contact:

 

        shart479@gmail.com

             202 594-8131

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